EXOLITHÂ
                                              PROJECT EXHIBITED AT
publishing, photography                         ISIA Urbino Parade 2018             2018
Project/Photos       Alice Figus
Supervisor           Mario Cresci
Pages                267
Format               235x340
Description Â
Exploration  Â
Site 1
Site 2
Analysis
NOTES-1Â
PROCESSO COME ARTEFATTO:
APPUNTI PER UN INDAGINE VISIVA
publishing, photography, archiveÂ
Project thesis
ISIA Urbino
2020
It Âwill investigate the role of the working process and its artistic valence through the images that are part of it. The same images that are part of a mental process. Here, the act of the visual annotation can be part of the project itself or even a stand-alone part seen as a final work. The same process where fortuity is seen as the main carrier of other contents. The project is being presented as an archive, the images are here exposed as an independent discourse which intent would be of construct and emphasize the creative process across 7 different categories that are all linked one to another. The category of fortuity will subsequently bring the one of the Error, both in a digital and analogue space. It will follow the category of appropriation, both on photo and desktop. Ending with the one of Leisure Time and Discards.
Project/PhotosÂ
Coordinator
Pages
Format
Alice Figus
Marco Tortoioli Ricci
216
150x230
Images N. Â Â Â Â Â Â Â Â Â Â Â 288
Categories N. Â Â Â Â Â Â Â Â 7
Category list: Â Â Â Â Â Â Â Â Causality, error, technological error, photographic appropriation, desktop appropriation, waste, free time.
Casuality and Annotation
The created archive is presented as a visual atlas of the process which, when exposed, becomes a final product, ideally reaching the idea of being a meta-project. It will be possible to obtain an holder, a medium, a tool that could possibly be of help in the future, becoming an active agent in One's future works, creating a form of continuous process.